A Doll's House
Sunday, May 1, 2011
"I'm Not a Doll and This Isn't a Doll's House" (3)
Did you forget? (3)
Monday, April 25, 2011
Things change. People change. (2)
After reading the second quarter of Henrik Ibsen’s, A Doll’s House, I could not help but notice the many changes running through the pages. There are changes in the character’s point of view, the character’s stories, and even the characters themselves, and most, if not all, refer to Mrs. Nora Helmer.



Sunday, April 10, 2011
Breaking into Pieces (1)

Scratching the Surface and Characters Analysis (1)

Henrik Ibsen develops the plot of A Doll’s House through the setting he himself sets up. I noticed that the stage directions are very specific down to which side of the room an armchair or a window lay on. The way he sets the mood for this stage play is by putting everything just as he had envisioned it. Either Ibsen has a specific purpose for all of these props, or he just wants to use them to set the specific mood he had planned on.

The next character that helps in the development of the plot of A Doll’s House is Torvald Helmer. He is excited about his new promotion at the banks he works at. Torvald is the kind of man who likes to be in charge of all aspects of his life, which unfortunately includes his home life. I noticed that Torvald tends to hold a somewhat father like role over his wife. Some of the ways he keeps her on such a tight leash is by giving her an allowance rather than sharing their money like an equal relationship would and giving her little pet names as you would a child (Ibsen 6-7). I believe this is because he sees her as a trophy wife because Isben makes constant references to her attractive physique (Ibsen 6-10, 16, 18, excreta).


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